Bibliographies (collected and links).

The Dance-Technology Zone is currently in an archived state. There are plans to create a new site that will be located at to combine material from the DTZ with the archives of the dance-tech list as well as new material. For more information, or to offer suggestions, contact me at

- Scott Sutherland

This page is given very little attention compared to the rest of the site -- it's really not possible to keep up with the book publishing industry which is constantly producing new and usually, but not always, interesting work in this area. Most of the articles in the Critical Theory section have references and bibliographies which you might scan if you are interested in seeing more material.

If you have a bibliography or reference which you would like to see linked or added to these pages, please email your request to Scott Sutherland at:

DT&Z | Upcoming Events | Artist Links | Critical Theory | Bibliography | Roll Your Own | Mail Archive

Ohio State University Dance and Technology Bibliography (good chronological archive of materials dating back to 1965)

Michelle Nesbit Hill's Dance and Technology Bibliography

Claudio Pinhanez's Reference Site for Computer Theater (go to the bottom of his paper)

Yacov Sharir's Bibliography for Virtual Environments, CyberSpace and the Arts Course

Allsopp, Ric & Scott deLahunta, eds.The Connected Body: an interdisciplinary approach to the body and performance. Amsterdam: Amsterdam School for the Arts. 1996

Bender, Gretchen & Timothy Druckrey, eds.Culture on the Brink: Ideologies of Technology. Seattle: Bay Press. 1994.

Benjamin, Walter. "The Work of Art in the Age of Mechanical Reproduction". In Illuminations. New York: Schocken Books. 1962. pp. 217-251.

Case, Sue-Ellen. The Domain-Matrix: Performing Lesbian at the End of Print Culture. Bloomington: Indiana University Press. 1996

Haraway, Donna J. Modest_Witness@Second-Millenium.FemaleMan (C)_Meets_OncoMouse (TM): Feminism and Technoscience. New York/London: Routledge. 1997.

Haraway, Donna J. Simians, Cyborgs, and Women: the reinvention of nature. London: Free Association Books. 1991.

Kroker, Arthur. Spasm: Virtual Reality, Android Music and Electric Flesh. New York: St. Martin's Press, 1993.

Kozel, Susan. "Reshaping Space: Focusing Time". In Dance Theatre Journal. 12:2. Autumn, 1995. pp. 3-7.

Laurel, Brenda. Computers as Theatre New York: Addison-Wesley Publishing Co. 1991.

Leeson, Lynn Hershman, ed. Clicking In: Hot Links to a Digital Culture. Seattle: Bay Press. 1996.

McLuhan, Marshall. Understanding Media: The Extensions of Man (new edition with Introduction by Lewis Lapham). Cambridge, MA: MIT Press. 1994.

Mitchell, William J. City of Bits: Space, Place and the Infobahn. Cambridge: MIT Press. 1995. (also available online)

Moser, Mary Anne, ed. Immersed in Technology: Art and Virtual Environments. Cambridge, MA: MIT Press. 1996.

Negroponte, Nicholas. Being Digital. New York: Alfred A. Knopf. 1995.

Popper, Frank. Art of the electronic age. New York: Abrams. 1993.

Rowe, Robert. Interactive Computer Music: Machine Listening and Composing. Cambridge, Massachusettes: The MIT Press. 1993.

Schwartz, Hillel. "Torque: The New Kinaesthetic of the Twentieth Century". In Incorporations. New York: Zone. 1992. pp. 71-126.

Smith, A. William, ed. Dance and Technology I: Moving Toward the Future. Proceedings of the First Annual Conference. University of Wisconsin, Madison, WI. 28-1 March 1992. (available through the National Resource Centre for Dance)

Smith, A. William, ed. Dance and Technology III: Transcending Boundaries. Proceedings of the Third Annual Conference. York University, Toronto, CA. 18-25 May 1995. (available through the National Resource Centre for Dance)

Smith, Hazel and Roger Dean. Improvisation, Hypermedia and the Arts since 1945. Amsterdam, NL: Harwood Academic Publishers. 1997.

Stone, Allucquére Rosanne. The War of Desire & Technology at the Close of the Mechanical Age. Cambridge: MIT Press. 1996.

Winkler, Todd. Composing Interactive Music: Techniques and Ideas Using Max. Cambridge: MIT Press. 1998.

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