|  | "If we are to formulate our question explicitly and transparently, we must first give a proper explication of an entity with regard to its Being."--  Martin Heidegger, Being and Time
 
 
 
 "Whatare you thinking,"
 he half-states and half-asks
 as though
 the thought were
 to be shared with him
 like a dresser drawer or
 the excess of the last slice of pie.
 "Whatam I thinking,"
 I reply with borrowed
 innocence.  The coffee
 is brown and the eggs
 are runny; are
 these the earth and the sky
 that bound me to myself?
 No--my thought is more
 the friction of skin upon
 skin, a physics of variable
 forces, time as a
 tease taunting
 rhythm down to the level of
 empty space.
 But this is not what I
 say.  I
 do not speak.
 "What--"(A split-
 ing of minds, poised on the
 brink
 of reply, and the desired
 answer slips
 away
 from me.)
 "--are you thinking"
 when you dare me to
 confess: my mind, dearest
 cogito, lies three millimeters beneath
 this yellowing skin;
 beneath that is an unknown quantity.
 I fear
 that it betrays
 whatever is there.
 I fear that it betrays me.
 Return to beginning of poem 
 
 Must a question summon its partnerby necessity?
 A letter lies upon my desk--one delicate thread of ink
 broken and knotted and twisted
 into meaning.   into meaning.
 *     *     * "that which is asked about--"me
 "that which is interrogated--"
 me
 "that which is to be found by the asking--"
 me
 *     *     *         the meaning of reply isabsence--
 this distance
 between thought and the womb of thought
 you cannot enter,
 although your wrists are slim.
 *     *     * The Chinese language has aclever way
 of letting the listener know
 when she is being
 asked a question.
 There is no wordfor these words--only a
 indistinct sense
 of relief
 when one finds one's bearings
 in the midst of interrogation.
 *     *     * Asking because.Because of the impossibility.
 Because you are not inside me.
 Because you are not me.
 Return to beginning of poem 
 
 When you grasp her about herwaist, press your open mouth against her
 stomach, speak your soft soul through
 the pores of her skin, she
 cannot hear you,
 my dear one.The contour of your hand melts into
 the contour of her sides,
 as her contours melt into yours,
 clouding the senses like
 a warm infusion.
 This is the puddle you formin the mind of your everyday life,
 where you found her dripping
 into your menial tasks.  A stain forms on
 your mouth, where the words
 that would release this flow
 refuse to spill themselves.
 Instead,
 you let it risethrough this pool of time,
 built up like tap-water beneath your house.
 You let it risein tensions, unrippled, through
 the short drive home,
 the hurried meal, standing, in the company of the cat
 as you rifle through messages on the counter-top,
 through the smile she finally offers as
 she eases you out of the kitchen into the room you share.
 You let it riseeven as this evening comes full circle
 with evenings that have come before.
 You grasp her about her waist
 and kiss her breast, her collarbone,
 her neck, her cheek,
 and when you whisper,what are you thinking?
 into that quiet place where she has left her soul,
 your thought spills over
 where before, you kept it in check,
 it spills over through this fog
 in which you lost sight of her,
 although
 you are no longer searching for her.
 This edgehas formed in the place of your watery thoughts;
 towards the other bank, you squint
 to see yourself.
 Return to beginning of poem 
 
 When he has grasped you about yourwaist, pressed his open mouth against your
 stomach, spoken his soft soul through
 the pores of your skin, you
 still cannot hear him.
 At this point
 your mind is clear ofthoughts, tabula rasa to a mere touch
 that speaks and yet does not speak
 at all.  There is a woman
 beneath his hands,
 present and ready,
 her arches and contours a thoughtful endeavor
 in this bed where a he and a she
 come together,
 and yet her breath comes in spurts
 from a place he cannot find
 in his closeness.
 You lie there,waiting for him to realize
 there is not a woman beneath his hands.
 There was a womanwho lived with him;
 she left him in the mornings,
 smelling of shampoo,
 Over cutting boards and faucets,
 they would fill each other's absence
 with the daily events.  She spoke to him,
 a stream of words barely louder than the TV,
 and therein, he probed for her thoughts.
                               Butthe kitchen and the bedroom
 flow into the peripheral ends of his vision,
 and your love-making floods into the foreground.
 The sum of your life
 melts into him and loses its shape,
 even as the shape of your body
 becomes more distinct.
 When you clasp his face
 and raise your head to whisper back,
 you melt even further--
 you become a reflecting pool,
 and he makes out his own image
 between the series of breaths that shake you in this watery sight.
 It is love that allows himpress into you, and love that
 allows you to press back with equal force
 (and love that allows me
 to speak of you as though
 you were myself).
 But in the thought
 that floats to the surface
 where your skins meet
 --I am thinking of you--
 at that very moment when intimacy
 pops open, a corridor between his heart and
 your heart,
 there is only a leaf floating through space.
 Supreme loneliness.
 The question has answered itself. Return to beginning of poem 
 
 I have shared this slice of pie with youand found ten thousand questions protruding within.
 I have found this strand of my thoughtand projected it into the future with your name.
 I have a woman inside mewho resembles the woman outside
 only on special occasions.
 A story will be wovenfrom the answers thus offered.
 I leave her at the loom
 with a book to read
 and a symphony to hum
 and hope that when I return,
 I shall find you waiting,
 my partner. Return to beginning of poem 7 Feb 1994	-- 16 April 1994
  Return to Table of Contents Sylvia Chong (schong@hooked.net)![[Art on the Net]](/images/artnet_button.gif)
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